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Conversations with the collection: a Terra Foundation collection handbook
Publisher
Terra Foundation for American Art
Publication Date
[2018]
Language
English
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Table of Contents
From the Book
Working as a museum without walls / Elizabeth Glassman
Acknowledgements. Early American painting : Introduction / Sarah Monks
Blind man's bluff, 1814 / John Lewis Krimmel
John Singleton Copley, Portrait of Mrs. John Stevens (Judith Sargent, later Mrs. John Murray), 1770-72: perspective / Guillaume Faroult
George Washington, porthole portrait, after 1824 / Rembrandt Peale
A peaceable kingdom with Quakers bearing banners, c.1829-30 / Edward Hicks
Girl in a red dress, c.1835 / Ammi Phillips
Portrait of a woman said to be Clarissa Gallond Cook, in front of a cityscape, c.1838 / Erastus Salisbury Field
Gallery of the Louvre, 1831-33 / Samuel F.B. Morse
Lorenzo and Jessica, 1832 / Washington Allston
Portrait of Harriet, c.1840 / Jonathan Adams Bartlett
Portrait of Blanch Sully, 1839 / Thomas Sully. Landscape painting : Introduction / François Brunet
Thomas Cole, landscape with figures: a scene from "The last of the Mohicans," 1826: perspective / Claudia Mattos-Avolese
William S. Jewett, The promised land
the Grayson family, 1850: perspective / Alberto Nulman Magidin
Almy Pond, Newport, c.1857 / John Frederick Kensett
Our banner in the sky, 1861 / Frederic Edwin Church
Rocks at Nahant, 1864 / William Stanley Haseltine
Autumn afternoon, the Wissahickon, 1864 / Thomas Moran
Fitz Henry Lane, Brace's rock, Brace's cover, 1864: perspective: Richard Read
Sanford Robinson Gifford, Hunter mountain, twilight, 1866: perspective / Valéria Piccoli
Morning in the Hudson, Haverstraw Bay, 1866 / Sanford Robinson Gifford
Paradise Valley, 1866-68 / John La Farge
Newburyport marshes: approaching storm, c.1871 / Martin Johnson Heade
The sidewheeler "The city of St. Paul" on the Mississippi River, Dubuque, Iowa, 1872 / Alfred Thompson Bricher
On the Hudson near Haverstraw, 1872 / Francis A. Silva
The iceberg, c.1875 / Frederic Edwin Church
Indian encampment, c.1870-76 / Worthington Whittredge. Genre and still life painting : Introduction / Sara Burns
The trap sprung, 1844 / William Sidney Mount
Fruit piece: apples on tin cups, 1864 / William Sidney Mount
Harvest of cherries, 1866 / Robert Spear Dunning
Fiddling his way, c.1866 / Eastman Johnson
The home of the red, white, and blue, c.1867-68 / Lilly Martin Spencer
Ships unloading, New York, 1868 / Samuel Colman, Jr.
Picnic party in the woods / John George Brown
Martin Johnson Heade, Still life with apple blossoms in a nautilus shell, 1870: perspective / John Davis
Apple picking, 1878 / Winslow Homer
The Yankee pedlar, 1872 / Thomas Waterman Wood
The jolly flatboatmen, 1877-78 / George Caleb Bingham
One dollar bill, 1890 / John Haberle
Winslow Homer, The whittling boy, 1873: perspective / Go Kobayashi
Old time letter rack, 1894 / John Frederick Peto. Cosmopolitanism and the Gilded Age : Introduction / Frances Fowle
John Singer Sargent, four studies for "En route pour la pêche" and "Fishing for oysters at Cancale," 1877: perspective / Sarah Cash
The zattere: harmony in blue and brown, c.1879 / James Abbott McNeill Whistler
Note in red: the siesta, by 1884 / James Abbott McNeill Whistler
From shore to shore, 1885 / Joseph H. Boston
The weaver, 1889 / George de Forest Brush
Averse
rue Bonaparte, 1887 / Childe Hassam
Brook, Giverny, 1887 / Theodore Wendel
On the veranda, 1887 / Irving Ramsey Wiles
Lotus lilies, 1888 / Charles Courtney Curran
Brittany town morning, Larmor, 1884 / Dennis Miller Bunker
Dennis Miller Bunker painting at Calcot, 1888 / John Singer Sargent
William Merritt Chase, Spring flowers (peonies), by 1889: perspective / Elsa Smithgall
Childe Hassam, Horse drawn cabs at evening, New York, c.1890: perspective / Chen Yao
Garden at Giverny (in Monet's garden), c.1887-91 / John Leslie Breck
Giverny hillside, c.1890-91 / Guy Rose
In the orchard, 1891 / Edmund C. Tarbell
Horticulture building, world's Columbian exposition, Chicago, 1893 / Childe Hassam
Theodore Robinson, Blossoms at Giverny, 1891-92: perspective / Clara Marcellán
Mary Cassatt, Summertime, 1894: perspective / Hideko Numata
Lilla Cabot Perry, Self-portrait, c.1889-96: perspective / Yuko Matsukawa
Henry Ossawa Tanner, Les invalides, Paris, 1896: perspective / Anne Lafont
Morning at Breakwater, Shinnecock, c.1897 / William Merritt Chase
Winter landscape, c.1890-1900 / John H. Twachtman
Havana harbor, 1902 / Willard Metcalf
Portrait of Thomas J. Eagan, 1907 / Thomas Eakins
Thomas Wilmer Dewing, Portrait of a lady holding a rose, 1912: perspective / Eunyoung Cho
Lady in a garden, c.1912 / Frederick Carl Frieseke. Urban realism and the American scene : Introduction / David Peters Corbett
William Glackens, Bal bullier, c.1895: perspective / Hélène Valance
The Grand Canal, Venice, c.1898-99 / Maurice Brazil Predergast
Theater scene, 1903 / Evertt Shinn
Salem willows, 1904 / Maurice Brazil Predergast
Sylvester, 1914 / Robert Henri
Rockwell Kent, Cranberrying, Monhegan, c.1907: perspective / Alberto Harambour
George Bellows, The Palisades, 1909: perspective / Christopher Riopelle
Robert Henri, Figure in motion, 1913: perspective / John Fagg
Knitting for the soldiers: High Bridge Park, c.1918 / George Luks
Walter Ufer, builders of the desert, 1923: perspective / Anna Hudson
Chicago, 1930 / Reginald Marsh
Pip and flip, 1932 / Reginald Marsh
Archibald J. Motley, Jr., Between acts, 1935: perspective / Richard J. Powell
Charles Sheeler, Bucks County barn, 1940: perspective / Mark Rawlinson
Romare Bearden, After church, 1941: perspective / Ruth Fine
Edward Hoper, Dawn in Pennsylvania, 1942: perspective / Filip Lipiński
Jacob Lawrence, Bar-b-que, 1942: perspective / Elizabeth Hutton Turner
Clown with drum, 1942 / Walt Kuhn
Sierra Madre at Monterrey, 1943 / Edward Hopper. Early abstract and modernist painting : Introduction / Chris McAuliffe
Construction, 1915 / Max Weber
Nature symbolized #3: steeple and trees, 1911-12; Sails, 1911-12 / Arthur Dove
Telegraph poles with buildings, 1917 / Joseph Stella
Peinture, 1917-18 / Patrick Henry Bruce
marsden Hartley, Painting no.50, 1914-15: perspective / Dieter Scholz
Welcome to our city, 1921 / Charles Demuth
Boy with cow, 1921 / Yasuo Kuniyoshi
Super table, 1925 / Stuart Davis
Purple and green leaves, 1927 / Helen Torr
Arthur Dove, Boat going through inlet, c.1929: perspective / Rachael Z. DeLue
The green chair, 1928 / John Graham
Politics, 1931 / John Storrs
Brooklyn Bridge, on the bridge, 1930 / John Marin
Sailboat, Brooklyn Bridge, New York skyline, 1934 / John Marin
Georgia O'Keeffe, Red amaryllis, 1937: perspective / Georgiana Ulhyarik
Room space, 1937-38 / Albert Eugene Gallatin
Adolescence, 1947 / Milton Avery
Untitled (village street scene), 1948 / Beauford Delaney
Passing show, 1951 / Philip Evergood
George Tooker, Highway, 1953: perspective / Robert Cozzolino
Topcat boy, 1970 / Ed Paschke
Kalounna in Frogtown, 1986 / Jamie Wyeth. Notes
Contributors
Credits
Terra Collection initiatives 2006-18
About the foundation.
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ISBN
9780932171658
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