Film consciousness: from phenomenology to Deleuze

Phenomenology and film

Origins

The spectrum of film consciousness

Dialectic misgivings

Phenomenological grounding

Realist theory

Real to reel

Lifeworld encounters

Intentionality

Phenomenological hermeneutics

Gadamer's play

Body and transcendence

Merleau-Ponty's embodiment

Expression to meaning

Bazin's ontology

The negating self

Transcendental survival

Reel time

Temporal objectivities

Self-constituting flux

Internal time-consciousness

Future expectation

Bergson : movement and intermediate imagery

Reelising memory

Bridging gaps

Walter Benjamin : the new realm of film consciousness

Materialism and allegory

Dialectical images

Mechanical reproduction and aura

Returning the gaze : aura transformed

Benjamin and surrealism

Distraction and innervation

Deleuze and cinema

Montage and movement-image

Eisenstein montage

Imaging thought process

Affectivity and the interval

Vertov and the machinic

Liquid subjectivity

Marking time

Thinking otherwise

Forks of time

Aberrance and problem ideas

The split self

Time-out-of-joint

Film events

Outside of film.