The spectrum of film consciousness
Phenomenological grounding
Phenomenological hermeneutics
Merleau-Ponty's embodiment
Internal time-consciousness
Bergson : movement and intermediate imagery
Walter Benjamin : the new realm of film consciousness
Mechanical reproduction and aura
Returning the gaze : aura transformed
Distraction and innervation
Montage and movement-image
Affectivity and the interval
Aberrance and problem ideas